On the street, I find the raw material I need: movement, chance, geometry, silences, shadows, emotions. A constant play of space and light that reflects the relationship between people and their urban environment. What draws me to the street is its ability to reveal the human in its purest state. The street doesn’t pose, doesn’t pretend, doesn’t wait. It’s an unscripted theater where the light changes roles every minute, and characters appear and vanish as if following an invisible rhythm.I’m especially interested in that point of friction between order and chaos: the architecture that imposes rigid geometries and the life that slips through them. The shadows stretching across the ground, the figures crossing a beam of light, the reflections distorting reality and suddenly creating beauty in an unexpected, poetic way.